azz at the Pawnshop — Late Night Exclusive Edition

45 RPM Deluxe 200-gram 2LP set

Includes some outtakes never released on previous editions!

Sourced from first generation analog recordings without any digital corruption

AAA all-analog cut at Bernie Grundman Mastering, on tube cutting equipment

At the end of the evening, before packing their instruments to go home, jazz musicians often will play a set for themselves. These tapes hold the recording of such a moment, as the famous Jazz at the Pawnshop group play with longer solos, leaving themselves more liberty to spontaneously explore the many jazz possibilities of the songs, and having fun. These discovered recordings were mastered by 2xHD's René Laflamme and released under the appropriate title.

Anyone who owns the original Jazz at the Pawnshop, considered one of the most famous audiophile albums in music, will not be able to resist this companion album which captures the enduring spirit of the intimate Pawnshop jazz club in Stockholm. It's called Late Night because these songs were played during the last two sets late at night. The treasured 40-year-old tapes were discovered accidentally and found to be in excellent condition.

A week was spent editing and mastering them for this exclusive 2xHD Deluxe 45 RPM edition, which includes musical tags to indicate the end of a set and uses slow fade-ins and fade-outs to identify the breaks. You can hear the band members walk back on stage, pick up their instruments and get into the final sets on this electrifying recording that brings together musicianship and engineering in a magical symbiosis. The tape version of the album received Positive Feedback's 2023 Writer's Choice Award.

Side A

Frenesi – Alberto Dominguez

Side B Gubben Och Kallingen (Alternative Take) – Traditional

Side C

Jeep's Blues – D. Ellington, J. Hodges

Side D High Life – J.Du Prez, D. Wilkerson

Mood Indigo – D. Ellington

he Beatles 1967-1970 (The Blue Album)

180-gram triple LP

Limited edition 2023 half-speed mastered blue vinyl edition!

Remixed and expanded: "Blue" has nine additional tracks added chronologically, including "Blackbird," "Glass Onion" and the last new Beatles song, "Now And Then."

The 3LP collection now contains 37 tracks, the set's nine newly added tracks are collected on its 3rd LP. With an insert containing new sleeve notes by journalist and author John Harris, the new 1967 – 1970 collection is a joyous celebration of The Beatles' timeless musical legacy.

Half-speed master. 180-gram pressing. Limited edition blue vinyl.

Side A

1.Strawberry Fields Forever

2.Penny Lane

3.Sgt. Pepper's Lonely Hearts Club Band

4.With A Little Help Fr My Friends

5.Lucy In The Sky With Diamonds

6.A Day In The Life

7.All You Need Is Love

Side B

1.I Am The Walrus

2.Hello, Goodbye

3.The Fool On The Hill

4.Magical Mystery Tour

5.Lady Madonna

6.Hey Jude

7.Revolution

Side C

1.Back In The U.S.S.R

2.While My Guitar Gently Weeps

3.Ob-La-Di, Ob-La-Da

4.Get Back [2021 Mix

5.Don’t Let Me Down

6.The Ballad Of John And Yoko

7.Old Brown Shoe

Side D

1.Here Comes The Sun

2.Come Together

3.Something

4.Octopus's Garden

5.Let It Be

6.Across The Universe [2021 Mix]

7.The Long And Winding Road [2021 Mix]

Side E

1.Now And Then

2.Blackbird

3.Dear Prudence

4.Glass Onion

5.Within You Without You

Side F

1.Hey Bulldog

2.Oh! Darling

3.I Me Mine [2021 Mix]

4.I Want You (She's So Heavy)

The Beatles 1962-1966 (The Red Album)

180-gram triple LP

Limited edition 2023 half-speed mastered red vinyl edition!

Remixed and expanded: "Red" has 12 additional tracks, including for the first time some of George Harrison's earliest songs and some classic Beatles versions of R&B and rock ‘n' roll hits that were so influential on the band.

The 3LP collection now contains 38 tracks, the set's 12 newly added tracks are collected on its 3rd LP. With an insert containing new sleeve notes by journalist and author John Harris, the new 1962 – 1966 collection is a joyous celebration of The Beatles' timeless musical legacy.

Half-speed master. 180-gram pressing. Limited edition red vinyl.

Side A

1.Love Me Do

2.Please Please Me

3.From Me To You

4.She Loves You

5.I Want To Hold Your Hand

6.All Loving

7.Can't Buy Me Love

Side B

1.A Hard Day's Night

2.And I Love Her

3.Eight Days A Week

4.I Feel Fine

5.Ticket To Ride

6.Yesterday

Side C

1.Help!

2.You've Got To Hide Your Love Away

3.We Can Work It Out

4.D Tripper

5.Drive My Car

6.Norwegian Wood (This Bird Has Flown)

Side D

1.Nowhere Man

2.Michelle

3.In My Life

4.Girl

5.Paperback Writer

6.Eleanor Rigby

7.Yellow Submarine

Side E

1.I Saw Her Standing There

2.Twist And Shout

3.This Boy

4.Roll Over Beethoven

5.You Really Got A Hold On Me

6.You Can't Do That

Side F

1.If I Needed Someone

2.Got To Get You Into My Life

3.I'm Only Sleeping

4.Taxman

5.Here, There And Everywhere

6.Tomorrow Never Knows

Here it is: THE Audiophile Jazz Fan's box set to end all box sets – All Of Bill Evans' Riverside releases cut at 45 RPM PLUS The Cannonball Adderley Know What I Mean? release for which Evans was such an important contributor!

"hese are, for the most part, extraordinary-sounding recordings, better than any you're likely to find. If you love the music, you should consider the purchase." — Fred Kaplan, Stereophile, Nov. 1, 2017

Of everything Analogue Productions has reissued, nothing has come close in sales or accolades to the 45-RPM versions of Bill Evans titles from his Riverside catalog. And now we've compiled all of them into one irresistible box set package. Includes facsimiles of each original jacket along with an 18-page booklet detailing Evans' career and Riverside era.

Titles Included: New Jazz Conceptions, Everybody Digs Bill Evans, Portrait In Jazz, Explorations, Sunday At The Village Vanguard, Waltz For Debby, Moonbeams, Know What I Mean?, Interplay, How My Heart Sings! and At Shelly's Manne-Hole.

Now pressed on 180-gram vinyl at RTI!

Mastered by Steve Hoffman & Kevin Gray at AcousTech Mastering AAA analog from original  master tapes

 

 

Everybody Digs Bill Evans

Side 1

MINORITY (5:20) (Gigi Gryce)

YOUNG AND FOOLISH (5:48)

(Horwit-Hague)

Side 2

LUCKY TO BE ME (3:35)

(Comden, Green-Bernstein)

NIGHT AND DAY (7:12)

(Cole Porter)

EPILOGUE (:38)

(Bill Evans)

Side 3

TENDERLY (3:29) (Walter Gross)

PEACE PIECE (6:37)

(Bill Evans)

Side 4

WHAT IS THERE TO SAY? (4:49)

(Harburg-Duke)

OLEO (4:04)

(Sonny Rollins)

EPILOGUE (:38)

(Bill Evans)

Explorations

Side 1

ISRAEL (6:08)

(John Carisi)

HAUNTED HEART (3:25)

(Deitz-Schwartz)

Side 2

BEAUTIFUL LOVE (5:03)

(Gillespie-King-Van Alstyne-Young)

ELSA (5:05)

(Earl Zindars)

Side 3

NARDIS (5:48)

(Miles Davis)

HOW DEEP IS THE OCEAN? (3:30)

(Irving Berlin)

Side 4

I WISH I KNEW (4:39)

(Gordon-Warren)

SWEET AND LOVELY (5:50)

(Arnheim-Tobias-Lemare)

Portrait In Jazz

Side 1

COME RAIN OR COME SHINE (3:17)

(Mercer-Arlen)

AUTUMN LEAVES (5:22)

(Mercer-Kosmo-Prevert)

Side 2

WITCHCRAFT (4:30)

(Leigh-Coleman)

WHEN I FALL IN LOVE (4:50)

(Heyman-Young)

PERI’S SCOPE (3:11)

(Bill Evans)

Side 3

WHAT IS THIS THING CALLED LOVE? (4:33)

(Cole Porter)

SPRING IS HERE (5:01)

(Rodgers & Hart)

Side 4

SOME DAY MY PRINCE WILL COME (4:48)

(Morey-Churchill)a

BLUE IN GREEN (5:18)

(Davis-Evans)

At Shelly’s Manne-Hole, Hollywood

Side 1

ISN’T IT ROMANTIC (4:34)

(Rodgers, Hart)

THE BOY NEXT DOOR (5:14)

(Youmans, Harbach, Greene)

Side 2

WONDER WHY (5:05)

(Brodszky, Cahn)

SWEDISH PASTRY (5:35)

(Barney Kessel)

Side 3

OUR LOVE IS HERE TO STAY (4:41)

(G & I Gershwin)

‘ROUND MIDNIGHT (8:50)

(Monk, Williams)

Side 4

STELLA BY STARLIGHT (4:50)

(Young, Washington)

BLUES IN “F” (5:05)

(Chuck Israels)

How My Heart Sings!

Side 1

HOW MY HEART SINGS (4:56)

(Earl Zindars) Zindars Publ. Co.-BMI

I SHOULD CARE (4:53)

(Cahn-Stordahl-Weston) Cahn Music/

Hanover Music/Stordahl Music-ASCAP

Side 2

IN YOUR OWN SWEET WAY (6:57)

(Dave Brubeck) Derry Music Co.-BMI

WALKING UP (4:54)

(Bill Evans) TRO-Acorn-BMI

Side 3

SUMMERTIME (5:56)

(Gershwin-Heyward-Gershwin) Chappell

& Co., Inc./Gershwin Publ.-ASCAP

34 SKIDOO (6:19)

(Bill Evans) TRO-Acorn-BMI

Side 4

EV’RYTHING I LOVE (4:11)

(Cole Porter) Chappell Music-ASCAP

SHOW-TYPE TUNE (4:23)

(Bill Evans) TRO-Acorn-BMI

Interplay

Side 1

YOU AND THE NIGHT AND THE MUSIC (7:03)

(Dietz-Schwartz) (ASCAP)

Side 2

WHEN YOU WISH UPON A STAR (5:42)

(Washington-Harline) (ASCAP)

I’LL NEVER SMILE AGAIN (6:30)

(Ruth Lowe) (ASCAP)

Side 3

INTERPLAY (8:11)

(Bill Evans) (BMI)

Side 4

YOU GO TO MY HEAD (5:02)

(Gillespie-Coots) (ASCAP)

WRAP YOUR TROUBLES IN DREAMS (6:24)

(Moll-Koehler-Barris) (ASCAP)

Moonbeams

Side 1

RE: PERSON I KNEW (5:42)

(Bill Evans) TRO-Acorn-BMI

POLKA DOTS AND MOONBEAMS (4:57)

(Burke-Van Heusen) Bourne Co./Music Sales Corp.-ASCAP

Side 2

I FALL IN LOVE TOO EASILY (2:39)

(Styne-Cahn) SBK Feist Catalog-ASCAP

STAIRWAY TO THE STARS (4:48)

(Parish-Malneck-Signorelli) SBK Robbins Catalog-ASCAP

Side 3

IF YOU COULD SEE ME NOW (4:24)

(Dameron-Sigman) SBK Robbins Catalog-

ASCAP

IT MIGHT AS WELL BE SPRING (6:03)

(Rodgers-Hammerstein) Williamson Music

ASCAP

Side 4

IN LOVE IN VAIN (4:56)

(Kern-Robin) T.B. Harms, Inc.-ASCAP

VERY EARLY (5:04)

(Bill Evans) TRO-Acorn-BMI

Waltz for Debby

Side 1

MY FOOLISH HEART (4:56)

WALTZ FOR DEBBY (6:54)

Side 2

DETOUR AHEAD (7:35)

Side 3

MY ROMANCE (7:11)

Side 4

SOME OTHER TIME (5:02)

MILESTONES (6:37)

Sunday at the Village Vanguard

Side 1

GLORIA’S STEP (6:05)

(Scott LaFaro) Orpheum Music-BMI

MY MAN’S GONE NOW (6:21)

(G. & I. Gershwin) Chappell Music-ASCAP

Side 2

SOLAR (8:51)

(Miles Davis) Prestige Music-BMI

Side 3

ALICE IN WONDERLAND (8:32)

(Fain-Hilliard) Walt Disney Music-ASCAP

Side 4

ALL OF YOU (8:20)

(Cole Porter) Chappell Music-ASCAP

JADE VISIONS (3:46)

(Scott LaFaro) Orpheum Music-BMI

Know What I Mean?

Side 1

WALTZ FOR DEBBY (5:14)

GOODBYE (6:12)

Side 2

WHO CARES? (take 5) (5:53)

VENICE (2:51)

Side 3

TOY (5:05)

ELSA (5:48)

Side 4

NANCY (WITH THE LAUGHING FACE) (4:07)

KNOW WHAT I MEAN? (re-take 7) (4:55)

New Jazz Conceptions

Side 1

I Love You

Five

I Got It Bad and That Ain't Good

Side 2

Conception

Easy Living

Displacement

Side 3

Speak Low

Waltz for Debby

Our Delight

Side 4

My Romance

No Cover, No Minimum

Recorded in August 1973 — the tour for Foxtrot (1972) having ended in May of that year — Genesis' members joined for a short time to write new material which covered a number of themes, including the loss of English folk culture and an increased American influence. Hence the inspiration for the title Selling England by the Pound.

Several tracks from the album became fan favorites and were featured as a regular part of the band's live setlist well into the 1980s. "I Know What I Like (In Your Wardrobe)," was released in February 1974 and became the band's first top 30 hit in the U.K. In 2012, the album ranked seventh in Rolling Stone's "Readers' Poll: Your Favorite Prog Rock Albums of All Time." Selling England by the Pound reached No. 3 on the U.K. charts and No. 70 on the U.S. Billboard Pop Albums chart.

AllMusic reviewer Stephen Thomas Erlewine wrote that Genesis hadn't sacrificed its newfound immediacy of Foxtrot with that album's follow-up. They found ways to infuse with the delicate whimsy that was their calling card since the group began.

"This, combined with many overt literary allusions — the Tolkeinisms of the title of 'The Battle of Epping Forest' only being the most apparent — gives this album a storybook quality. It plays as a collection of short stories, fables, and fairy tales, and it is also a rock record, which naturally makes it quite extraordinary as a collection, but also as a set of individual songs. Genesis has never been as direct as they've been on the fanciful yet hook-driven 'I Know What I Like (In Your Wardrobe)' — apart from the fluttering flutes in the fade-out, it could easily be mistaken for a glam single — or as achingly fragile as on 'More Fool Me,' sung by Phil Collins. It's this delicate balance and how the album showcases the band's narrative force on a small scale as well as large that makes this their arguable high-water mark."

All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Bernie Grundman and cut at 45 RPM. Pressed on 180-gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.

1. Dancing With The Moonlit Knight

2. I Know What I Like (In Your Wardrobe)

3. Firth Of Fifth

4. More Fool Me

5. The Battle Of Epping Forest

6. After The Ordeal

7. The Cinema Show

8. Aisle Of Plenty

Part of the ultimate audiophile Prestige stereo reissues from Analogue Productions — 25 of the most collectible, rarest, most audiophile-sounding Rudy Van Gelder recordings ever made. All cut at 33 1/3 and also released on Hybrid SACD All mastered from the original analog master tapes by mastering maestro Kevin Gray. 180-gram LPs pressed at Acoustic Sounds' state-of-the-art pressing plant, Quality Record Pressings, plated by Gary Salstrom First 250 LP copies of each title will be numbered editions and will only be available to series subscribers

"I've never heard an original pressing, but this reissue by Chad Kassem's Analogue Productions — a 180-gram QRP pressing, mastered at 33 1/3 RPM by Kevin Gray — is every bit the equal of Van Gelder's Blue Note LPs from the same era: the trumpet's brash brass and bushels of air, the pluck and wood of the bass, the sizzling hi-hat and smashing snare of the trap set. … Listen to 'Blue Friday,' and you'll be reminded of the trumpet-led passages on 'Stolen Moments,' the high point of Oliver Nelson's The Blues and the Abstract Truth. There's a similar sound, and it's no accident." — Fred Kaplan, Stereophile, Feb. 8, 2017. Read the whole review here.

Quiet Kenny is yet another reminder of what a trumpet giant Kenny Dorham was. Whether limning ballads such as "My Ideal," "Alone Together," "I Had the Craziest Dream," and "Old Folks," or investigating the timelessness and intricacies of the blues (his originals in this set with "Blue" in their titles), the former Charlie Parker cohort and ex-Jazz Messenger exhibits his subtle swing, personal sound, and finely-honed harmonic sense. Along the way these reflections and connections with Bird, Coleman Hawkins, Sonny Rollins, Max Roach, Harry James, and Louis Armstrong make for a rich legacy. With Tommy Flanagan, Paul Chambers and Arthur Taylor

	Side 1
	Lotus Blossom
	My Ideal
	Blue Friday
	Alone Together
	Side 2
	Blue Spring Shuffle
	I Had The Craziest Dream
	Old Folks
	Mack the Knife

New on vinyl for the first time!
Mastered by Chris Bellman at Bernie Grundman Mastering

By 1998, interest in Takeshi "Tee" Fujii's phenomenal success with his Three Blind Mice jazz label led him to make a compilation of his favorite tracks. He chose across a wide swath of recordings between 1973 and 1978 for the resulting album, which he titled The Famous Sound of Three Blind Mice, Vol. 1. The most popular tunes ("Blow Up", "Misty", "The Lady Is a Tramp", "Scandinavian Suite", and "Midnight Sunrise") were all included.

Japanese, German and American CDs provided fans around the world access to Tee's singular vision and taste. It's only now, for the first time ever, a 180-gram LP has captured the excitement and sonic detail of these seminal tracks. Impex's deluxe set includes 10 tracks, mastered by Chris Bellman at Bernie Grundman Mastering, and spread across four heavy-vinyl sides that let the music "breathe" like never before.

This gatefold jacket features new art recreating the feel and style of TBM's designer Ben Nishizawa. Take advantage of this rare opportunity to own Fujii-san's favorite tunes in this deluxe, reference-quality package!

	1. Aquamarine (Isao Suzuki Quartet)
	2. Midnight Sugar (Tsuyoshi Yamamoto Trio)
	3. Midnight Sunrise (Tatsuya Takahashi & Tokyo Union)
	4. The Lady Is A Tramp (Ayako Hosokawa)
	5. La Fiesta (Toshiyuki Miyama & The New Herd)
	6. The Way We Were (Tsuyoshi Yamamoto Trio)
	7. When A Man Loves A Woman (Live in 5 Days in Jazz Vol. 1)
	8. Alone Together (Masaru Imada & George Mraz)
	9. Willow Weep For Me (Shoji Yokouchi Trio + 1)
	10. Misty (Tsuyoshi Yamamoto Trio)

Part of the ultimate audiophile Prestige stereo reissues from Analogue Productions — 25 of the most collectible, rarest, most audiophile-sounding Rudy Van Gelder recordings ever made. All cut at 33 1/3 and also released on Hybrid SACD
All mastered from the original analog master tapes by mastering maestro Kevin Gray. 180-gram LPs pressed at Acoustic Sounds' state-of-the-art pressing plant, Quality Record Pressings, plated by Gary Salstrom
Tip-on jackets on thick cardboard stock
First 250 LP copies of each title will be numbered editions and will only be available to series subscribers

“One of the best efforts from Ammons' extensive catalog. A fat, warm, rich sax tone — you know, the one you immediately identify as Jug — is on display in all its glory on this great Moodsville release. Feeling tired and stressed out? Give Uncle Gene a spin. Besides perfect pitch, Ammons' other special gift was a melodic sense that allowed him to effectively convey feelings at slow tempos. Here is a great jazz ballad player given full scope to spin his charms." — Stereophile, February 1995

	1. Two Different Worlds
	2. But Beautiful
	3. Skylark
	4. Three Little Words
	5. The Street Of Dreams
	6. You'd Be So Nice To Come Home To
	7. Under A Blanket Of Blue
	8. Three Little Words
	9. I'm Glad There Is You